In the realm of experimental theatre, where the boundaries of performance art are constantly being pushed, the Belgian collective Ontroerend Goed has crafted a captivating and thought-provoking piece titled 'Handle With Care'. This production is a testament to the power of collective creativity and the potential for theatre to transcend traditional forms. What makes 'Handle With Care' truly remarkable is its ability to engage and involve the audience in a way that is both interactive and deeply personal.
The concept is simple yet ingenious: a box, an instruction manual, and an audience eager to participate. As the show begins, the box takes center stage, and the audience is invited to step forward and read the first instruction. From there, a series of tasks and prompts are set in motion, encouraging audience members to interact with one another and with the box itself. What unfolds is a unique and unscripted theatrical experience, where the audience becomes an integral part of the performance.
One of the most intriguing aspects of 'Handle With Care' is its emphasis on the shared humanity of its participants. The show draws upon the emotional responses and interpretations of audiences from various locations, including Sweden, Hong Kong, and Australia. By providing identical prompts and allowing each audience to add their own personal touch, the production creates a sense of universality and connection. This is particularly fascinating as it challenges the notion that theatre must be a one-way experience, where the audience merely observes. Instead, 'Handle With Care' encourages active participation and the creation of collective memories.
However, it is important to note that 'Handle With Care' is not without its flaws. While the show successfully creates a recognizable build-up, climax, and denouement, it may not appeal to those seeking a more traditional theatrical experience. The absence of a director, professional actors, and elaborate sets may be seen as a limitation by some, and the show's success relies heavily on the engagement and commitment of the audience. In this sense, 'Handle With Care' is a minor miracle, as it manages to pull off a unique and innovative concept despite its limitations.
Comparatively, Ontroerend Goed's previous work, 'LIES', which was brought to the Singapore International Festival of Arts in 2023, offers a more conventional theatrical experience. 'LIES' was a high-stakes chips game that provided a clear explanation of market crashes, and it was both entertaining and thought-provoking. While 'Handle With Care' may not reach the same level of fun and excitement, it is a testament to the group's ability to experiment and challenge the status quo.
In my opinion, 'Handle With Care' is a powerful statement on the nature of theatre and the role of the audience. It raises a deeper question about the relationship between performer and spectator, and it encourages us to reconsider our expectations of what theatre can be. What many people don't realize is that theatre can be a collaborative and interactive experience, where the audience becomes an active participant in the creative process. This is particularly relevant in today's world, where technology and social media have changed the way we engage with art and each other.
In conclusion, 'Handle With Care' is a thought-provoking and innovative theatrical experience that challenges the traditional norms of performance art. It is a testament to the power of collective creativity and the potential for theatre to transcend its boundaries. While it may not be for everyone, it is a must-see for those seeking a unique and engaging theatrical adventure. So, if you find yourself in Singapore, be sure to step into the box and discover the magic of 'Handle With Care' for yourself.
